Home Page Setup requires you to select a profile. If this is your first device, we recommend tapping Go To Home Page SetupĦ. If this is an additional device, you can quickly get started by tapping Get Started With Default Settings. Select your preferred employee clocking method, Badge Entry or Biometric Scanĥ. Enter a unique name for the Device, then tap SubmitĤ. Enter your ADP Login credentials on the Login Page, then tap Loginģ. To start the setup, tap the ADP Time Kiosk Icon on your deviceĢ. The text is a slight variation on Alan Weisman's The World Without Us and his review of Michael Hanlon's, Planet Earth Would Thrive Without People.1. But even Stanica no longer has reason for such considerations, at least its pride, S2. For them, the building is an impossible dream. Independent theatres in Slovakia need not be troubled by such thoughts and visions. The sewage dissolved and the polyvinyls went with it. The white PVC plastic drains have yellowed and thinned in places exposed to the sun as chlorides have turned to hydrochloric acid. Blackberry bushes and wild vines wrap around a gas line that will rust within a hundred years. If the theatre had a basement, it too would be filled with soil and plant life.

If your theatre had a fountain, for example, it is now a giant flowerpot filled with either the offspring of ornamental trees brought in by the planner, or displaced native plants that have been waiting on the outskirts of the neighbourhood for the opportunity to reclaim the land. Mosaics and bathroom tiles have also remained relatively intact - fired ceramics, after all, have similar chemical properties to fossils - but they too are now lying on the mound with the fallen leaves. However, if your theatre had mosaics, or even bronze statues or other works, they can last for millions of years in a partially oxidised form. In a thousand years the whole steel warp of our civilization would collapse.

Large, well-designed theatres of steel and concrete might last for centuries, but iron and its more modern form, steel, is a very unstable material strong but utterly powerless against corrosion. The post-war buildings are just poor imitations of the older ones, and they would collapse like a house of cards. Ironically, the newest theatres would be the first to collapse. Metal and even wooden structures somewhere might still be standing after a hundred years, but the bricks have begun to fall out and break as the lime mortar, exposed to temperature fluctuations, crumbles and turns to powder. What can theatre look like After the Man? The urban world would be eroded by water and frost very soon after our departure, and most of the buildings, as well as the theatres, if they were made of brick, would have collapsed in 20 years. TRANSLATION BY DeepL: AFTER HUMAN DISCUSSION Text je miernou obmenou textu Alana Weismana Svet bez nás a jeho recenzie od Michaela Hanlona, Planéta zem by bez ľudí prekvitala. Ale ani Stanica už na podobné úvahy nemá dôvod, aspoň jej pýcha, S2.

Nezávislé divadlá na Slovensku podobné myšlienky a vízie nemusia trápiť. Kanalizácia sa rozpustila a spolu s ňou odišli aj polyvinyly. Biela plastová kanalizácia z PVC na miestach vystavených slnku zožltla a stenčila sa, pretože chloridy sa premenili na kyselinu chlorovodíkovú. Okolo plynového potrubia, ktoré do sto rokov zhrdzavie, sa ovíjajú ostružiny a divý vinič. Ak malo divadlo suterén, takisto ho naplní pôda a rastlinný život. Pomerne neporušené ostali aj mozaika a kúpeľňové kachličky - pálená keramika sa totiž vyznačuje podobnými chemickými vlastnosťami ako skameneliny -, aj ony však teraz ležia na kope spolu s opadaným lístím.Īk malo vaše divadlo napríklad fontánu, dnes je z nej obrovský kvetináč plný buď potomstva ozdobných stromčekov, ktoré sem priviezol projektant, alebo vykázaných pôvodných rastlín, ktoré na okraji štvrte čakali na príležitosť znovu dobyť územie. Ak však malo vaše divadlo mozaiku, alebo dokonca bronzové sochy, či iné diela, môžu v čiastočne zoxidovanej podobe vydržať aj milióny rokov. Za tisíc rokov by sa zrútila celá oceľová osnova našej civilizácie. Veľké, dobre dizajnované divadlá z ocele a betónu by možno vydržali stáročia, ale železo a jeho modernejšia podoba - oceľ, je veľmi nestály materiál silný, ale voči korózii úplne bezmocný. Povojnové stavby sú len úbohými napodobeninami starších a tie by sa zrútili ako domček z karát. Čo je paradoxné, najnovšie divadlá by sa rúcali ako prvé. Kovová a dokonca aj drevená konštrukcia niekde stojí síce aj po sto rokoch, no tehly začali vypadávať a rozbíjať sa, pretože vápenná malta, vystavená výkyvom teploty, sa drobí a mení na prášok.

Diskusia Moderátor: Ivan Buraj Diskutéri: Milo Juráni, Lucia Repašská, Lucia Kašiarová, András CséfalvayĪko môže divadlo vyzerať Po človeku? Mestský svet by po našom odchode veľmi skoro nahlodala voda a mráz a väčšina stavieb, ako aj divadlá, ak by boli z tehál, by sa už o 20 rokov zrútila.

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